Let’s not waste time: Chris is back and joins Tim to induct the 65th song into our prestigious Hall of Songs. Which record will join the latest two, Prince’s “Little Red Corvette” and Michael Jackson’s “Billie Jean”? Take the time to find out.
Also, we discuss songs that are now eliminated from our Hall of Songs ballot … and the thing that all the remaining songs have in common.
Yeah Yeah Yeahs are back with a ferocious new single about environmental chaos and youth uprising. We’ll go into that, plus we’ll look back at the band’s outstanding career. Also, we’re recommending some relatively new Angel Olsen and the newest Maggie Rogers single; finally, we’ll dive deeper into Kendrick Lamar’s “Mr. Morale & the Big Steppers.”
Modern Songs is a music discovery podcast reviewing new music and songs released since 2006.
This is a long one, but it’s only because we simply love this music. Our picks for the top-12 songs of 1983 include legendary new wave tracks, massive pop ballads, the early stages of Heartland Rock and two records that will come to define 1980s dance.
After listening to Tim and Chris, VOTE for the greatest songs of all time! Songs from 1983, plus tunes from 1982, ’81, ’79, ’78 and ’76 are up for a shot to make the Hall of Songs! Vote now at hallofsongs.com and come back on June 24, 2022, to find out which song or songs get in!
Our 1983 nominees (spoilers below; highlight to reveal):
“Sweet Dreams (Are Made of This)” as performed by Eurythmics
Written by Annie Lennox and David Stewart; recorded summer 1982; released January 1983
“Sunday Bloody Sunday” as performed by U2
Written by U2; recorded fall 1982; released February 1983
“True” as performed by Spandau Ballet
Written by Gary Kemp; recorded fall 1982; released March 1983
“Blue Monday” as performed by New Order
Written by Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner; recorded late 1982; released March 1983
“Between the Sheets” as performed by The Isley Brothers
Written by Rudolph Isley, O’Kelly Isley Jr., Ronald Isley, Ernest Isley, Marvin Isley and Chris Jasper; recorded February 1983; released March 1983
“Blister in the Sun” as performed by Violent Femmes
Written by Gordon Gano; recorded July 1982; released April 1983
“Every Breath You Take” as performed by The Police
Written by Sting; recorded early 1983; released May 1983
“Naive Melody (This Must Be the Place)” as performed by Talking Heads
Written by David Byrne, Chris Frantz, Jerry Harrison and Tina Weymouth; recorded late 1982; released June 1983
“Let the Music Play” as performed by Shannon
Written by Chris Barbosa and Ed Chisolm; recorded summer 1983; released September 1983
“Time After Time” as performed by Cyndi Lauper
Written by Cyndi Lauper and Rob Hyman; recorded June 1983; released October 1983
“Pink Houses” as performed by John Cougar Mellencamp
Written by John Mellencamp; recorded July 1983; released October 1983
“Jump” as performed by Van Halen
Written by Eddie Van Halen, Alex Van Halen and David Lee Roth; recorded summer 1983; released December 1983
Listen to the full episode for more, and then vote for the songs that you think are the greatest of all-time. Scroll down to vote. Then, come back on May 20, 2022 to find out the voting results, and May 22, 2022 for our discussion on 1983.
Summer is here, and Diana Ross and Tame Impala (with Jack Antonoff) are hoping they’ve laid down the Song of the Summer. Tim and Chris discuss the disco-flavored “Turn Up the Sunshine” before taking a look back at Tame Impala’s career. Plus, they revisit Harry Styles’ ‘Harry’s House’ after a few weeks of sitting with the new album.
Modern Songs is a music discovery podcast reviewing new music and songs released since 2006.
We’re in between the 1982 and ’83 episodes, so why not take a moment to look back at EVERYTHING?
Join Tim, Chris, and our special guest, Billboard Deputy Editor Andrew Unterberger (Twitter: @AUgetoffmygold) as they discuss the full Hall of Songs to this point.
We ask: Is this experiment of determining the greatest songs of all-time worthy? What are the biggest surprise Hall of Songs members? What songs, artists, and genres are being snubbed? It’s a fun look at the whole picture before we dive back into nominees.
The Hall of Songs is filling up! The 63rd and 64th members are announced in this episode, in which Tim goes it alone and offers thoughts on the election at large.
Songs released between 1976 and ’82 were on the ballot this time out — what do you think got in? What do you think got taken off the ballot?
In this week’s episode of Modern Songs, Tim and Chris talk at length about country singer Joshua Hedley, whose album “Neon Blue” is one of the best things about 2022. After chatting about his song “Bury Me With My Boots On,” Tim and Chris talk more about Kendrick Lamar and his 2017 song “Humble,” from the now legendary “DAMN.”
Modern Songs is a music discovery podcast reviewing new music and songs released since 2006.
Selecting songs for Hall of Songs nomination is a hard job. Sometimes, while toiling over all the options, you decide that certain tunes that we now consider problematic still merit inclusion. At least that’s what one co-host of Hall of Songs would argue.
Join Tim and Chris as they put four more songs from 1979 to ’82 onto the ballot. Luckily, they bring in a (sort-of) independent ombudsman to sort through the issues with them.
In this episode, Tim and Chris talk about the four new nominees, then go deeper into ’79-’82 with selections by artists like Split Enz and, naturally, the Grateful Dead.
A new Kendrick Lamar album is upon us, and as usual, the arguable greatest rapper on Earth gave us a sample of what to expect with another chapter to his series “The Heart.” Part 5 sees Kendrick rhyme about the struggle of Black men who are meant to represent culture, coupling the track with an incredible video that must be watched.
Tim and Chris talk about Kendrick’s return, then dive into a song by Swedish artist Jens Lekman from 2017.
Modern Songs is a music discovery podcast reviewing new music and songs released since 2006.
We’ve reached the Year of the Synthesizer. It’s everywhere in 1982, from new wave-leaning rock to sleek R&B, and in every instance, it’s creating a new sound of pop. The digital age is fully in place, and Hall of Songs is here to chronicle all of it and select our top-12 songs of the year.
But while keyboards and drum machines create the rhythms of some of the year’s biggest songs, a number of genres are making major moves toward the forefront. In this episode we’ll also hear metal, rap, dance hall and country.
After listening to Tim and Chris, VOTE for the greatest songs of all time! Songs from 1982, plus tunes from 1981, ’80, ’79, ’78, ’77 and ’76 are up for a shot to make the Hall of Songs! Vote now at hallofsongs.com and come back on May 20, 2022, to find out which song or songs get in!
Our 1982 nominees (spoilers below; highlight to reveal):
“Only You” as performed by Yazoo
Written by Vince Clarke; recorded January 1982; released March 1982
“Hallowed Be Thy Name” as performed by Iron Maiden
Written by Steve Harris; recorded January 1982; released March 1982
“Rosanna” as performed by Toto
Written by David Paich; recorded January 1982; released March 1982
“Planet Rock” as performed by Afrika Bambaataa and the Soulsonic Force
Written by Arthur Baker, John Robie, Soulsonic Force and Emcee G.L.O.B.E.; recorded 1981; released April 1982
“Amarillo By Morning” as performed by George Strait
Written by Paul Fraser and Terry Stafford; recorded April 1982; released June 1982
“Come on Eileen” as performed by Dexy’s Midnight Runners
Written by Kevin Rowland, Jim Paterson and Billy Adams; recorded March 1982; released June 1982
“The Message” as performed by Grandmaster Flash and the Furious Five
Written by Edward G. Fletcher, Melle Mel, Clifton Chase and Sylvia Robinson; recorded spring 1982; released July 1982
“Love My Way” as performed by The Psychedelic Furs
Written by John Ashton, Tim Butler, Richard Butler and Vince Ely; recorded April 1982; released July 1982
“Bam Bam” as performed by Sister Nancy
Written by Winston Riley and Ophlin Russell; recorded summer 1982; released summer 1982
“Mad World” as performed by Tears For Fears
Written by Roland Orzabal; recorded summer 1982; released September 1982
“Little Red Corvette” as performed by Prince
Written by Prince; recorded summer 1982; released October 1982
“Billie Jean” as performed by Michael Jackson
Written by Michael Jackson; recorded summer 1982; released November 1982
Listen to the full episode for more, and then vote for the songs that you think are the greatest of all-time. Scroll down to vote. Then, come back on May 20, 2022 to find out the voting results, and May 22, 2022 for our discussion on 1983.